Emily Wells is at INDIE NIGHT! On Aug. 21,2010 from 8PM to 1AM come rock out in the Sierra Inn's T-Bar!

I love rap music and Vivaldi. Nina Simone and Biggie Smalls make my world go round. The first record i really, you know, heard, in headphones, was Simon and Garfunkel's "Sound of Silence". I play the violin and have since i was a little kid. Growing up, my home was filled with music. There was a lot of singing, french horn playing, and symphony listening, plus youth orchestras, church choirs and xylophones, I use to listen to the classic rock station in a three up front car with my two best friends, the windows cracked and the Indiana winter creeping in. I was born in Texas.

Attaining the ever-elusive artist's dream of creative control, as Wells would soon learn, comes only at a price. Wells' cost was the thousands of miles logged, traipsing across country, playing in and outside of bars, pubs, and juke joints. She traveled in a tiny car, dragging along guitars, a tiny bass, a giant old Linn 9000 drum machine, and a four track. When flush, Emily would spend the occasional night in a seedy motel room where she would tirelessly record with her archaic four-track and dirty old instruments. Emily didn't look back to her swank days as a would-be priority artist on a major label and regret any of her choices; she saw each obstacle in her path as a challenge. Eventually landing in Los Angeles, Wells finally learned through recording and performing, how to have the creative control she craved. Slowly building her own studio, she taught herself how to record and produce. This is the studio in which she would create, record, mix, and produce 'The Symphonies: Dreams Memories & Parties' her latest release. To get the sound of a full orchestra, Emily didn't take the easy way out and simply loop the layers of violins; instead, she played up to 21 separate tracks of violin on each symphony, often using an octave pedal to create the tones of an underwater cello or viola. In addition to the strings, there is a plethora of other sounds, electronic and organic alike. Two years ago, Wells found a bassist, Joey Reina, and a drummer, Sam Halterman, who add a richness to both the live show and the recordings. Their contributions to 'The Symphonies' give the compositions more depth as well as a little junk in the trunk.